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Showing posts with label E. R. Marlin. Show all posts
Showing posts with label E. R. Marlin. Show all posts

Thursday, March 18, 2021

ORSON WELLES | He Was in My Dad's Dublin Crowd

Young Orson Welles
April 5, 2021—Orson Welles was the topic of the next event at 192 Books and the Paula Cooper Gallery, at 22nd Street and Tenth Avenue in Manhattan, on March 25. The location (a block away from where Alice and I live in New York City) is at 192 Tenth Avenue

David Thomson authored of more than twenty-five books, including The Biographical Dictionary of Film, biographies of Orson Welles and David O. Selznick. Thomson has used his biography of Welles as a base for a more comprehensive review of the history of movie directors, The Light in the Dark.


Michael Barker interviews. He is co-president and co-founder, with Tom Bernard, of Sony Pictures Classics, which celebrates its 30th anniversary this year. Previously he was an executive at United Artists (1980–1983) and co-founder of Orion Classics (1983–1991). This talk is recorded— https://mailchi.mp/192books/david-thomson-in-conversation-with-michael-barker-1243200.


A Family Connection


Orson Welles has a connection to my parents, Spike Marlin (1909-1994) and his then-fiancée Hilda van Stockum (1908-2006). My father was a student at Trinity College, Dublin and my mother was a student at the Dublin School of Art in 1931, when Welles, 16 years old, got a part at Dublin's Gate Theate playing the Duke in a new play, Jew Suss. Stories of Welles's early days in Ireland are brilliantly told here: https://www.independent.ie/entertainment/movies/genius-in-the-making-orson-welles-in-ireland-34237664.html.


One evening Welles came to dinner— a week early. Probably it was a confusion over the word “next” as in “next Thursday” (...but not this Thursday). Even then, Welles had made himself famous (his theater career began at 16 in 1931), and my mother was in conniptions. She pulled a dinner together... 


The life of Orson Welles has been the subject of three recent documentaries. https://scriptmag.com/features/it-depends-is-your-story-idea-safe-one-shared-idea-three-unique-films. My sister Lis tells the story that our Dad Spike (and maybe Hilda, says my sister Brigid) were having breakfast in New York City when Welles suddenly said, “Must go, I am getting married this morning!" His first marriage was in 1934, so it must have been to Virginia Nicolson, to whom he stayed married until 1940. He married Rita Hayworth in 1943 and stayed with her until 1947. He married Paola Mori in 1955 and stayed with her until 1985. His biography lists two "partners": Dolores del Río (1940–43) and Oja Kodar (1966–85). He seems to have been serially monogamous until 1966. All that must be in Thomson's biography.


Six of the Trinity Crowd in Dublin, 1930-32


These are his contemporaries that Orson Welles glommed onto in Dublin:

  • John Cyril Donnelly. Born in Dublin, Ireland on 2 Apr 1912 to John Herbert Donnelly (1876-1956) and Gertrude Mabel Robinson (1885-1982). He passed away on 29 Jun 1948 on Pershing Av, Lima, Peru. 
  • Christopher ("Christo") Gore-Grimes.
  • David Grene, who went to the University of Chicago. One of his sons is at Trinity College, Dublin and the other has a band focusing on Irish music. Alice and I have met the latter. David was deeply distressed, says his son, about Willem’s love affair with the Provost’s daughter Pic Gwynn.
  • Ervin Ross ("Spike") Marlin, who married Hilda van Stockum. They had six children, one of whom is your blogger (#5, second youngest). 
  • Owen Sheehy ("Skeff") Skeffington. He wrote a book. When Spike was in Dublin during the war, working for the OSS, he looked up Skeffington. Lis says that when she started at Trinity, Skeffington “gave us an introductory lecture. He said everyone loves Ireland because Ireland has never done anything for another country so nobody owes it anything.”
  • Willem van Stockum, brother of Hilda van Stockum (my mother), who married Spike Marlin. He had a love affair with Pic Gwynn, who wanted to marry him but was overruled by her father, Trinity College Provost Edward John Gwynn. https://www.tcd.ie/provost/addresses/2018%20-%202019/2019-02-07-Launch-Gwynn-Family-Papers-%27A-Splendid-Tradition.php. (A father could do that kind of thing then.) Gwynn was doubtless concerned about someone taking his daughter away to Holland or the United States. That was the objection of Marconi's Irish mother to the marriage of Guglielmo Marconi to Inez Milholland (they were engaged for months). In a twist of fate, Willem's uncle Eugen married Inez instead of Marconi (she proposed to Eugen on a boat in 1916; Marconi said that Eugen was better suited to her). Inez said later, "The radio is wonderful but on reflection I wouldn't want to be married to one." Willem never married. He volunteered for air force service when his country was invaded and he trained in Canada. He piloted a bomber during the week of D-Day. A monument has been erected in France, near Laval, to him and his crew.  The story of Pic and Willem is well told in Time Bomber by Robert Wack (2014), for example on pages 27, 84-85. https://www.amazon.com/Time-Bomber-Robert-P-Wack/dp/0984523286

Tuesday, September 5, 2017

HvS | Links to Letters 1943-1971

1943 – To ERM, O.S.S., London
1944 – To ERM, O.S.S., London (MIA, Death of HvS's brother Willem), Hunger Winter
1944 To Bertha Mahoney, The Horn Book
1945 – To ERM, United Nations, Provisional ICAO Jul-Aug
1946 – To ERM, ICAO
1954-55 – To Joan Dowling and Others – Marlins' Pilgrimage, France, Spain, Portugal, Italy
1971 – To Brigid, Letters on The Borrowed House 1  Evil 2 Epiphany 3

Sunday, October 19, 2014

HvS | In Dublin, 1929-32

Hilda van Stockum as Art Student, 1929-32
The National Gallery of Art in Dublin has been including Hilda van Stockum's two portraits of Evie Hone in their calendars and catalogs. Since they are sticklers for obtaining permissions for every reproduction–doubtless because they expect the same in return–they are in touch with the family regularly.

Their latest question (from Marie) is about HvS's time studying art in Ireland. What information do we have on this period? Are there any relevant letters?

My search is not ended, but HvS's art studies in Amsterdam are much better documented for a simple reason. When Hilda was at the Rijksakademie van Beeldende Kunst (Royal or State Academy for Fine Arts), she lived with her Aunt Hilda de Booy and she sent long letters to her mother in Dublin.

My mother wrote out these letters in a copy book. I transcribed them into electronic form and posted them on the boissevain.us site. These letters, in a family collaboration, were turned by Brigid Marlin over several years into chapters for her Society for the Art of Imagination magazine into a book, the first 12 chapters of which are posted. I will post a corrected version and then the entire book shortly (one of the chapters I posted is out of order). We intend to add art from the period and publish the edited letters as a book through Boissevain Books.

The Irish periods occur before and after her time at art school in Amsterdam. She was at art school in Dublin before, and was a mature artist afterwards. Her second period in Dublin should be especially interesting, because she was mixing in the Trinity College crowd with her brothers, who were both students there. Through her brother Willem she met her husband.

In Holland she was just one of many good art students. In Dublin in the second period she had much more self-confidence and stood out because she had experience from two different centers of art. A book of Irish Artists of the 20th Century is limited to a small number of artists and HvS is one of them - her claim to Irishness being her Irish grandmother (Emily Heloise MacDonnell) and her two periods of residence in Dublin as a young woman and then another three years in Dublin in 1951-54.

Some of the drama of those years was focused on HvS's brother Willem. He was a prize-winning student of Mathematics at Trinity. He won a gold medal that is not awarded in many years. (He sold it in the Depression, to his great distress, to help out his sister. It would be good to know where it is and whether it could be repurchased.) His life has been written about in Time Bomber by Robert Wack, and it goes into considerable factual detail about Willem's love for Pic Gwynn and vice versa.

While they were in Dublin, the van Stockums - Olga, Hilda, Willem and Jan - shared the gardener's cottage at the home of Billy Kirkwood and Harrie Jameson Kirkwood on the Howth peninsula. Brigid reports that the cottage was divided in half and the gardener had one half and the three van Stockums had the other.

Willem, of course, moved out to be in Trinity College Dublin lodgings, where he roomed with Ervin R. (Spike) Marlin. Jan later also went to Trinity. Hilda and Spike got married in 1932 and rented a home somewhere. That is where Orson Welles, who I think was then also a student at Trinity Dublin, arrived for dinner a week before scheduled.

Spike then went ahead to New York City, to look for a job - no easy assignment in the Depression. He did some work on overdue premium collection for Prudential Insurance, I believe, before he took a competitive exam to join FDR's administration. He was one of 300 people selected out of thousands of applicants. He also found a publisher (Harper  Brothers) for HvS's first book, A Day on Skates, which was published with an introduction by her Aunt Edna St. Vincent Millay in 1934, also the year Olga E. Marlin was born.

Wednesday, June 4, 2014

WILLEM | Laval Gravesite, 1954

The Marlin Family just before leaving for Europe. We
all went to Willem's gravesite ten years after D-Day, 1954.
JUNE 4, 2014–Alice and I are in London, on our way to France to visit my Uncle Willem's gravesite in the D-Day battle zone on the 70th anniversary of the invasion.

The gravesite ceremony will be on June 10, 2014, 70 years after he, his crewmates and the crew of another plane from the same squadron were shot down. They were two of ten bombers on the same mission the night.

Meanwhile, in New York City, an organization called The French Will Never Forget will remember D-Day by releasing from the air one million rose petals over the Statue of Liberty tomorrow, June 6, 2014.

Two AS365 helicopters will execute the petal drop and a third helicopter will film it, about 100 feet above the statue. This drop will take  5-7 minutes. In addition, the French Naval Frigate, appropriately named Lafayette, will position itself adjacent to the Statue of Liberty in the Hudson River and will conduct a 21-gun salute around noon. The U.S. Coast Guard will provide a safety zone in the Hudson River.

My Uncle, Willem J. van Stockum

My uncle Willem, Hilda van Stockum's brother, was shot down on June 10, 1944,  over Laval, and is buried there with the six other members of his crew and with another seven airmen from a second plane that was shot down on the same mission (and, on he other side of the cemetery, four others who died in the region, including one aviator).

A new novel called Time Bomber has just come out, by Robert Wack, a pediatrician and U.S. Army Major whose interest in Normandy and time travel intersected at Willem, who is considered a"father of time travel". Willem is the first person to have written for an English audience about the "time-like curves" implicit in Einstein's equations for relativity. Willem found a scientific basis for time travel.  Willem was a superior mathematician and won a gold medal in mathematics at Trinity College, Dublin that was infrequently awarded because the standards were so high.

For purposes of nostalgia, I am attaching here the Laval segment of the diary (originally in the form of letters to friends, especially Joan Dowling and Evie Hone) that my mother wrote about our trip in December 1954-January 1955. It would prove to be the last time we all traveled together, because Olga did not come on the next trip. It was right around Christmas, ten years after Willem was killed. I don't think my mother ever went back to her brother's gravesite, but I think she did see pictures that Randal took of the tombstone that the Dutch Government sent. It is slightly different at the top and can easily be picked out from the line of tombstones.

The six Marlin children mentioned in this travelog are, in age order: Olga (20), Brigid, Randal, Sheila, Johnny (me, 12) and Liz (9). When we first moved to Canada in the summer of 1947, our ages went from 12 to 2 and we were called "the lunch-hour Marlins".

FAMILY VISIT TO LAVAL, 1954
by Hilda van Stockum (assembled from letters)

December 26, 1954 - Laval

It is now about 6 pm and we have arrived [via Volkswagen bus] at our first overnight stop. When I discussed this trip with Spike I asked whether we’d be able to see Willem’s grave in Laval and he said we could - we’d go there first shot.

I’d had a letter from the English government when I was still in Montreal saying that they were putting up stones for the 14 airmen who were buried in the cemetery and they asked what I wanted inscribed.  I wrote back that I wanted “Greater Love hath no man than that he should lay down his life for his friends.” I was looking forward to seeing it.

When we heard about his death in 1944, we were in Washington and Laval seemed the other end of the world. Now we’re so close!

This morning there was a feverish getaway from Sceaux [where we lived outside of Paris]: "Daddy" had told us to be early, so we’d set the alarm for 6 am – but what with one thing and another (chiefly sleep) we only made the 8 am Mass – that is to say, the girls and I – and we got confession as well, which was lovely considering possible accidents. François came in time to be told the last frantic instructions and faithfully promised to do everything.

The boys didn’t hear Mass – they were counting on Chartres. They pick their churches – they insisted on Notre Dame for midnight mass and now Chartres for St. Etienne’s (as St. Stephen is called here).

There was some trouble fitting in all the luggage – I discarded a suitcase and folded blankets on the seats to save room. Then we left, waving goodbye to François, and were on the road. Spike has a knapsack full of guidebooks and maps, which he consults constantly.

It rained and Johnny’s nameplate, which he had made laboriously out of silver tinsel and cardboard and pasted over the Volkswagen sign, to hide the car’s German origin (the French made clear they did not like seeing a German car), didn’t last very long. He gave his father all sorts of pennants to fly – from Germany, Holland, Iceland, Ireland etc. - but we didn’t use them.

The road was wet and glinted pearly against the saturated green of the fields and the purple-gray sky. We went through little pastel villages and when we arrived at one with a church we got out in search of mass for the boys – but we only found the tail end of the 10 am mass. There was no 11 am, and knelt a moment by the crib. It was the usual plaster one with straw, but it had six or seven figures cut out of paper. On the whole there is not the same devotion to the crib here that there is in Ireland. The one in Notre Dame was unvisited – and when I think of the quarrels in Ireland over getting to see the crib!

The figures were most artistic and beautifully expressive, but there was no love spent on the crib – the figures were plunked down in a bare stable without any sort of greenery or straw.

In the church back at Sceaux there was an extraordinary contraption – a babe made like modern painting – just a scrap of wood painted white with a pink over for a “face”, and cloths were draped around it to suggest the figures of Joseph and Mary in a futuristic way, with wine halves where the heads should have been – it would have been possibly effective if the proportions had been right – but the baby was much too small for the figures. Further, there was a basket of fruit and a jug to suggest offerings. Very weird and modern, and of course nobody looked at it. What price chic!

Well, anyway, we managed to make Chartres at a little before noon and came in at the sermon. It is a beautiful church – so simple and purely gothic – towering columns tapering off towards the roof, windows like sparkling oriental carpets and their vivid colors emphasized by the dignified gray of the stone. The organ played “Silent Night” and somehow that hymn seemed to blend in and join the soaring of the columns.

After Mass we walked around the church. Sheila had her opera glasses, which enable one to see the mural designs in the windows and the faces on the sculptured groups – the whole life of Christ is exquisitely done, on the screen around the main altar. We also lit candles at a shrine where Our Lady holds her Christ child in one hand and a scepter and heart in the other. She is in a stiff gold mantle and has a gold crown on her head – and so has the baby. It is of almost pagan splendor.

But Spike hurried us along, as we had to get to Laval before dark, so we decided to pay a special visit to Chartres another day and really look at it. Spike bought some bread and local sausage (replete with garlic) and cheese and we had our lunch on the way, with some fruit I’d bought.

Then we drove around on and on – first over the long flat sketches of land then gradually along rolling country wooded – with gorse flowering in the hedges and along the ditches. Everywhere exquisite silhouettes of bare trees against a now lowering sky and presently the clearing sky of evening while they were finally etched on primrose as the sun decided to stay! The children sang and quarreled and slept and played games and I slept a bit myself.

We got to the Laval cemetery just before closing time. It’s a pretty, well-kept cemetery outside Laval with impressive rows of tombs, all with crosses exactly alike of blue iron. We had some trouble finding the “Tombe Anglais” with the 14 air force officers – it is beautifully looked after with fresh red cyclamen on all the graver – but it had stones and our Willem hadn’t any, just a bare cross with scarcely legible name on it.

I almost cried.

We are staying the night here to investigate this. Spike has already found out that he has to go to the Mairie about it. We said our rosary at the foot of the grave and I stole a little flower somewhere and kissed it and put it down and I felt utterly unreal.

Willem is still so alive, so vivid, so present to me – yet ten years ago he was stuck into the soil I was standing on and now probably only his bones are left. It just shows you how unreal our bodies are – and how little they matter. It was almost as if I could see Willem laughing at me! “What are you looking there for, you clots!”

But he will have liked hearing the rosary. When he left us the children were so small – and here they towered above me, and Randal’s deep voice rumbled as a background to our female ones.

We left the cemetery then and drove into Laval, an incredibly beautiful town. Parts of it are so old we could not enter it with the bus – uphill with houses almost touching on top – the old kind you associate with Germany. A bridge arched over a lazy river, which reflected the pink evening sky and behind rose musty towers.

Then we went into the shopping district with bright colored lights and Christmas trees everywhere. Spike wanted to find a hotel and asked a restaurant keeper to tell him of a clean good place. We hooted at him: “They’ll have sent you to the most expensive one in town!” Spike wouldn’t believe it but found out we were right. It had the “Ye old country shoppe” look, Yule logs and timbers and a porter at the door. We fled.

Now we have a quiet little place with the “Traveling salesman’s home” sort of look where we get 3 double bedrooms for £2 – not bad. The girls sleep in the first with two double beds and Spike and I in the next and Randal and Johnny in the last. As the beds are small it’s a toss up who’ll be more uncomfortable, Johnny or I! But one must suffer on a pilgrimage (Randal is actually as tall as Spike now). So we are all writing out our accounts now – and Spike has been trying to hurry us up, as he wants his supper and our company.

We have been discussing the possibility of adventures with Spike in town. There is something about efficiency that is death to adventure. A certain leisureliness, a laissez-faire, a “I don’t care if I get there” spirit is better. I always feel I am out with a grownup when he is along. But he is willing to learn, and as we were all telling him how fatal good planning is, he is resigned and is practically down there with us.

December 27 Cathedral of St. John the Evangelist 

This morning I got up early (after a surprisingly good night) and woke the girls (I didn’t wake the boys but I will in future, they should have come along). It was about 7:30 am when we were ready and still quite dark. The little waitresses were up and edified by our wish to attend mass. They showed us with great cordiality how to find the Cathedral. Apparently there’s no lack of masses; this town is well supplied. We found our way through the dark streets with here and there a lamp and up the hill, past more of those old, steep gabled, timbered leaning houses to the enormous Cathedral, which we entered by a side door.

I’m sure Willem was buried from it as it is certainly big enough to hold 14 coffins.

We came in at the tail end of a side altar mass and joined communion. Then we prayed for a moment at the crib, which was very lovely, a round stable with a baby in French Normandy dress – with a little cap on – lying in a brown wooden crib. Mary and Joseph and the shepherds were all in French peasant dress and very simply carved by a modern sculptor with fine feeling. One shepherd plays the pipe, and another kneels with a lamb in his arm. St. Joseph is simple and dignified with a green dark, a red hat in his hands and big hobnailed boots. Mary is enveloped in dark blue cloak. Unfortunately the French enthusiasm for electricity made them have lights that popped about from red to yellow, which was rather disturbing. All the same it was interesting to me to see the origin of the Canadian French monstrosities. There the love of ornament has got completely out of hand and has become ridiculous – gesticulating marble stones, meaningless gold twirling, endless electric effects, fairy lighting, etc. Here it is held in proportion by the dignity of the architecture and the natural good taste. But the Louis XIV influence is noticeable and there is a lot of gilt about.

We then saw an 8:00 o’clock mass starting on the other side altar and we joined in. I was again impressed by the general participation in the mass – everybody said all the responses – the Gloria, the Creed, the Confiteor, the end prayers, all in Latin. I read through the epistle and something from the Gospel of St. John, and I thought of all my Johns and Jeannes – a tremendous collection of them.

Towards the end the monks came in on the middle altar and took their choir seats and began to chant their office. And I thought what a wonderful thing the Catholic faith is, and how it makes of a trip like ours, which could so easily be a completely superficial and meaningless “visiting of natives”, a deeper and more rewarding Odyssey. I thought that instead of visiting merely the surface of things we are, by joining at mass each different village and town, participating at the very heart of their lives. For the space of an hour we four were “In Laval” in the true sense of the word. And it had that timeless quality of peace and knowledge – we felt at home, at one with the people there who would have been complete strangers in the street, and in a sense by visiting this way church after church we are following Christ as he comes to all the different places – as surely – perhaps more surely, than the apostles did. It has very much consoled me. 


Last night I felt melancholy – very much in a strange place (and I don’t like strange places) and I thought “what is the use of raging through a country in a bus – one doesn’t get into contact with the people – one might as well be in an airship hustling towards Mars (as I said to Mr. Selsly – who has dreams of being able to visit another planet one day: “How homesick I should be there!!”). It is a strange thing that homesickness has been so great a part of my life – even as a child I was wrenched from my surroundings continually as my mother and father got ill. Now it’s time for breakfast – later more.

Saintes – 9 pm 

Where was I? Oh yes, we were still in Laval. We had breakfast of croissants and coffee and Spike discovered that three of the croissants were stale. He told the children not to eat them and went to complain. He had a long argument with the lady of the hotel in which he was defeated. As he walked off to give battle he asked the children the word for “stale”. “Antique!” cried Johnny. But apparently the hotel’s proprietors would not admit the antiquity of her buns. “They had been brought that morning by the baker,” she said. When Spike retired defeated and told us that we weren’t hungry any more, she came to investigate and discovered that indeed, “vraiment”, they were stale! A terrible thing, due entirely to the lack of gentility in the baker. She would have a long chat with him about it.

She was still explaining when we moved off in the VW bus. First we went to the Mairie, where we arrived at the same time as a wedding party. A beautiful young bride went up the steps, with an enormous tulle veil and a sweet little boy in a white suit with long pants preceded her, while six bridesmaids with blue flowers in their hair and white and blue dresses held up her veil. The elderly members of the party were all in their very best – the ladies with fan and black velvet ancient dresses and the men in full dress with top hats. We had to wait for the wedding to be over before we could go and investigate about Willem’s tomb.

So Spike went off in the bus with Randal and Sheila and Lizzy to take a picture of Willem’s grave and Olga, Brigid, Johnny and I went into Laval to do shopping. We first bought Olga shoes she badly needed, and then we went looking for lunch. Spike had asked us to lag in some provisions. We passed such enchanting old houses that Brigid insisted on drawing them. I made some quick sketches but Brigid wanted to do one in color, so we left her while we bought pains and the local pâte and a cheese the monks we had listened to that morning made. Meanwhile the church bells were ringing, presumably for the wedding, which must be moving from the church. In the shop we heard that it is not a popular wedding. The bride is only 17 and the bridegroom very old. It is all arranged by the parents, and the town is indignant about it (what tragedies everywhere!!).

We also saw a shop with rabbits and a whole fox – apparently they eat fox here. We bought the cheese there and they wanted to know were we Anglais. They said it coldly as the Anglais aren’t popular. But Olga mentioned Ireland and they immediately warmed up to that, and told us there were many Irish religious in Laval.

Olga, Johnny and I then hurried back to the Mairie, where Spike was already talking to the required official. I was ushered in after him and learnt that the trouble was that the English had sent the wrong tombstone and had never corrected their error though the French officials of Laval had agitated about it several times. Then the Dutch had come with a proposal to take Willem away and bury him with the Dutch.

So at Spike’s dictation I wrote that I was opposed to this and wanted him to remain with his crew. Spike is going to investigate the matter when he goes to London next month.

That finished, we wanted to hurry on to Nantes but Brigid wasn’t there. Johnny was sent off to find her but also didn’t return. Meanwhile I did a sketch of Spike trying to be patient. (Actually he is very patient and this is a wonderful way of getting a homogeneous family, to be tossed up in a bus together. I have been lecturing that every impatient word is going to spoil the atmosphere and we’re really managing to be cheerful and tolerant. The ones that make all the noise are of course Brigid and the boys!).

Finally Brigid and Johnny came back and of course Brigid had produced a masterpiece – a perfectly delightful drawing, which mollified her father considerably.

By the way, I’ve been regaling Spike with stories of the Dowling children and Eoin’s joke
Q. What’s Maude Gunn’s father’s name?
A. Popgun. 
This provoked a terrific burst of laughter, also Colin’s “Don’t waste my time”. We went off then with a wise-cracking group of children, everybody very merry.

The scenery was more interesting this time – we passed lovely little villages with yellow trees like poor little bare fists stuck in the air. I noticed that what I had thought were crows’ nests in the trees were really mistletoe – most exciting! There’s an awful lot of it there. I also noticed the many ditches, like Holland, and a windmill. There are very few cars on the road as it is out of season, which is just as well, for I am worried by traffic.

At Nantes we visited the Cathedral and wrote and sent some postcards. It was a beautiful Cathedral with a marvelous crib. Not that the figures were particularly good – the usual plaster stuff – but they had made so much of the landscape, huge paper rocks – a whole painted background, river etc. The church itself had obviously been damaged and restored; some parts were quite new. There were some lovely old windows reminiscent of Chartres.

After Nantes the landscape changed and became very like Holland with willow trees reflected in ditches luminous with water – and oxen! It was such an excitement to see yokes of oxen everywhere – sometimes two yokes in front of a load. They look really picturesque.

But the people are not very picturesque and Brigid said she’d thought of a marvelous cartoon – us looking at “The natives” and the “Natives” looking quite ordinary while we’re the weird ones. Actually we are. Spike looks sporty but not exotic and I’ve just my gray coat and the hat with the panache, but Sheila looks a regular German with a Tyrolean hat on and embroidered Mexican yellow shirt and Canadian ski sweater and big thick boots over socks. Then Randal is wearing ski pants, Johnny is always flamboyant and half undone, Brigid has another embroidered skirt and manages to deck herself up with red scarves and doodah hats and Lizzy is just plain untidy. Olga alone looks more or less respectable but she is rather subdued and feels sick.

We have lovely times together, though. The children play spelling games in which Lizzy manages to hold her own – and we said the rosary in the car and then sang hymns. It was dark when we arrived at Saintes but we have found the same setup here and a really delicious meal around a round table – hors d’oeuvres of mussels (shades of Molly Malone), beets, carrots, onions and mushrooms – wine from Bergerac – veal and fried potatoes and then fruit, delicious.

I’ve asked to be called for Mass tomorrow at 6:30 am. We’re all going (except Spike). There was another interesting thing I noticed today – the vines everywhere – all pruned away – which made me think of “the vine and the branches” – the vine being everlasting, the branches temporal.

Thursday, July 19, 2012

V for Victory Anniversary July 25

Hilda van Stockum, The Mitchells, Cover
The Mitchells, 1945 [Click here for link]

On July 25, 1941, the New York Times reported, British Prime Minister Winston Churchill announced a plan to take back Europe from Hitler, called "V for Victory".

This was also the subtitle of Hilda van Stockum's book The Mitchells, which is about the World War II effort as seen through the eyes of her five children growing up in Washington, DC.

We were in Washington because my father E.R. "Spike" Marlin, HvS's husband, was an early recruit to the management ranks of FDR's New Deal, via a competitive Civil Service exam he took in 1933 after FDR's administration had taken over. He worked for the Farm Credit Administration, the Civil Service Commission, and the Budget Bureau before the war broke out. After the war he want back to the Budget Bureau.

How did the war affect the Mitchell and Marlin families? The reality was quite close to the fictionalized story, with some important differences. Here are ten of the ways the war affected the family as described in the first 26 pages of the book, with some comments on the reality of the story:

1. On page 1, Joan is teary-eyed because Daddy is leaving to be drafted. The five children and Grannie are at Union Station to see them off. Uncle Jim has already been drafted. Fact: Daddy was exempted from the draft because he was working for the Federal Government already. But he was  taken away from Washington work for the OSS in Dublin and then London, after a period of training with firearms and OSS protocols.

2. Daddy is described as an electrical engineer. Fact: He actually concentrated in history and political science at Trinity College, Dublin. He was recruited by the OSS because he had many Irish friends and his first post was in Ireland where he worked with the Irish and British intelligence services on the activities of the German and Japanese representatives in Ireland.

3. Uncle Jim had already enlisted. Fact: Dr. Willem Jacob van Stockum, HvS's brother, who was teaching at the University of Maryland, was subject to the draft although a Dutch citizen. WvS got a deferral to complete his academic year at Maryland. The American military apparently wanted him to work on the bomb and he wanted to see action, so WvS volunteered for the Royal Canadian Air Force, where he became a bomber flying instructor and then a pilot of a Halifax bomber.

4. To skip to the end of the book - both Daddy and Uncle Jim return. Fact:  HvS's husband returned from the war, but her brother Willem perished after a series of successful bombing runs on German-occupied France during the week of the Normandy landing, June 1944. He flew with the Royal Air Force in 1943 and 1944, and was shot down over Laval, France on June 10, 1944. He is buried with the other six members of his crew and with the seven members of another Halifax bomber on the same mission.

5. On page 10, Peter makes the point that in a war people have to leave home, even if it isn't safe.

6. On page 11, the taxi driver explains that he is too old to be drafted, but has two sons in Italy.

7. On page 20, Uncle Jim is described by the children as braver than Daddy because Uncle Jim enlisted. Mother explains: "Uncle Jim had no one else to worry about while Daddy has all of you as well as Grannie and me."

The NYTimes Story
on V for Victory
8. On pages 21-22 the three eldest children discuss the fact that Mother is not looking so well and wonder what they can do to help her and help win the war. Prices have risen and military pay is not as good as private-company pay. The "V for Victory" (Five for Victory) idea is something they come up with as the name of a club to make a contribution to the war effort. Their first ideas were to earn war stamps and save scrap. Fact:  The V for Victory slogan was picked up in the United States - Victory Gardens were one manifestation. Prices did rise a lot during World War II, but were kept down by (1) sale of Victory Bonds via stamps sold in denominations as small at ten cents, which took purchasing power out of the economy, and (2) price controls.

9. On page 25, the two club songs of the V for Victory club are "Anchors Aweigh" for Daddy and "Into the Wild Blue Yonder" for Uncle Jim. Fact:
Daddy was in the OSS (the World War II-era U.S. intelligence service, succeeded by the CIA), but two of his brothers were in the Navy; both returned. Uncle Willem was in the air force, but not the U.S. Air Force.

10. The Five for Victory Club on page 26 shows how the club got money for turning in (recycling, we would say today) bottles. Peter took the money and bought stamps toward a V for Victory bond. Fact: The Savings Bonds were a brilliant idea for financing the war effort.

Hilda van Stockum wrote three books about World War II. The Mitchells is about an American family in the United States. The Winged Watchman is about a Dutch family in German-occupied rural Holland. The Borrowed House is about a German couple that goes to a Dutch city, Amsterdam, to entertain the troops (the SS and the Wehrmacht), and their daughter Janna, who is shocked to find that the Dutch do not welcome their German invaders.

The Mitchells is usually grouped with two later stories about the family in Canada. But the three books about World War II make their own trilogy. As a group, for me they are the centerpiece of Hilda van Stockum's work. It is remarkable to have these family-oriented perspectives on that terrible war. Someone once asked: "Who is the protagonist in The Mitchells?"  If you had to pick a single person, it would have to be Mother. But my mother's answer to the question was: "The Family is the protagonist. It is the Family that must cope with all the disruptions and threats."

The two books about the Dutch occupation are among the top dozen books about World War II for children (out of 125 listed). The Mitchells is among the top 40 on the same list.

Thursday, October 20, 2011

5th Anniversary of Death of Hilda van Stockum


Remembrances of Hilda van Stockum (1908-2006)


October 20, 2011 - All Six of Her Children Have Posted Remembrances.
Her Fifth Anniversary is November 1, 2011 - All Saints' Day.
OLGA (Joan in The Mitchells Series) has for 51 years been based in Nairobi, Kenya, and in June 2011 received an honorary D.Litt. degree from Strathmore  University in Nairobi. She writes from the Navarre Clinic in Pamplona, Spain: "Mother liked to say that we were a family that knew how to love. I think this is very true. Our parents lived for us, and we grew up very close to one another..." More  
Hilda next to her Self-Portrait
Hilda van Stockum with Her Self-Portrait

BRIGID (Patsy) writes from Berkhamsted, Herts., UK, where she paints and writes, living near her sons Chris and Desmond and Desmond's wife Anna and son Ivan: "Mother often seems to be near me. She was a larger than life person and I can detect parts of me as I get older that are parts of her. I feel in a way she has gone ahead into the unknown valley of death to help us cross the barrier when the time comes..."
RANDAL (Peter) writes from Ottawa, Canada, where he teaches at Carleton University and Ottawa University, writes articles about Wikileaks and propaganda, lives with his wife Elaine and keeps in touch with their six children, two of whom have married: "We know Mom thought a lot about her duties as wife and mother. In an interview, when someone asked how she could write, paint and raise a family all at the same time, she replied 'by neglecting my duties.' One day (or night) she had an epiphany about her duties as wife..."
SHEILA (Angela) writes from the High Elms Manor in Garston, near Watford, Herts., UK, where her four daughters and spouses, grandchildren and friends live under the same grand roof: "After five years, the memory of Mother has not faded but is just as strong. I have become far more appreciative of her books and paintings..."
JOHN (Timmy) is writing from New York City, where he teaches at NYU and Pace Universities, manages Boissevain Books, engages with the media and lives with his wife of 40 years, Alice. They visit frequently with their two nearby children: "We can't know how Mom has changed in the last five years! But the five years since her death have given me so much better an appreciation of who she was and how she got there. Her letters and unpublished manuscripts, as well as her published books and paintings and photographs..."
LIZ (Catherine) writes from London, where she lives with her husband Cliff Paice and is called on frequently for babysitting for their grandchildren. They have two married daughters and a married son: "I find myself remembering Mom's sayings. 'Writers write. Painters paint. If you haven't got time just now, you aren't a writer or a painter.' ..."   More
To add your own remembrances, go to Facebook or NY Times Legacy.