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Showing posts with label Orson Welles. Show all posts
Showing posts with label Orson Welles. Show all posts

Thursday, March 18, 2021

ORSON WELLES | He Was in My Dad's Dublin Crowd

Young Orson Welles
April 5, 2021—Orson Welles was the topic of the next event at 192 Books and the Paula Cooper Gallery, at 22nd Street and Tenth Avenue in Manhattan, on March 25. The location (a block away from where Alice and I live in New York City) is at 192 Tenth Avenue

David Thomson authored of more than twenty-five books, including The Biographical Dictionary of Film, biographies of Orson Welles and David O. Selznick. Thomson has used his biography of Welles as a base for a more comprehensive review of the history of movie directors, The Light in the Dark.


Michael Barker interviews. He is co-president and co-founder, with Tom Bernard, of Sony Pictures Classics, which celebrates its 30th anniversary this year. Previously he was an executive at United Artists (1980–1983) and co-founder of Orion Classics (1983–1991). This talk is recorded— https://mailchi.mp/192books/david-thomson-in-conversation-with-michael-barker-1243200.


A Family Connection


Orson Welles has a connection to my parents, Spike Marlin (1909-1994) and his then-fiancée Hilda van Stockum (1908-2006). My father was a student at Trinity College, Dublin and my mother was a student at the Dublin School of Art in 1931, when Welles, 16 years old, got a part at Dublin's Gate Theate playing the Duke in a new play, Jew Suss. Stories of Welles's early days in Ireland are brilliantly told here: https://www.independent.ie/entertainment/movies/genius-in-the-making-orson-welles-in-ireland-34237664.html.


One evening Welles came to dinner— a week early. Probably it was a confusion over the word “next” as in “next Thursday” (...but not this Thursday). Even then, Welles had made himself famous (his theater career began at 16 in 1931), and my mother was in conniptions. She pulled a dinner together... . 


The life of Orson Welles has been the subject of three recent documentaries. https://scriptmag.com/features/it-depends-is-your-story-idea-safe-one-shared-idea-three-unique-films. My sister Lis tells the story that our Dad Spike (and maybe Hilda, says my sister Brigid) were having breakfast in New York City when Welles suddenly said, “Must go, I am getting married this morning!" His first marriage was in 1934, so it must have been to Virginia Nicolson, to whom he stayed married until 1940. He married Rita Hayworth in 1943 and stayed with her until 1947. He married Paola Mori in 1955 and stayed with her until 1985. His biography lists two "partners": Dolores del Río (1940–43) and Oja Kodar (1966–85). He seems to have been serially monogamous until 1966. All that must be in Thomson's biography.


Six of the Trinity Crowd in Dublin, 1930-32


These are his contemporaries that Orson Welles glommed onto in Dublin:

  • John Cyril Donnelly. Born in Dublin, Ireland on 2 Apr 1912 to John Herbert Donnelly (1876-1956) and Gertrude Mabel Robinson (1885-1982). He passed away on 29 Jun 1948 on Pershing Av, Lima, Peru. 
  • Christopher ("Christo") Gore-Grimes.
  • David Grene, who went to the University of Chicago. One of his sons is at Trinity College, Dublin and the other has a band focusing on Irish music. Alice and I have met the latter. David was deeply distressed, says his son, about Willem’s love affair with the Provost’s daughter Pic Gwynn.
  • Ervin Ross ("Spike") Marlin, who married Hilda van Stockum. They had six children, one of whom is your blogger (#5, second youngest). 
  • Owen Sheehy ("Skeff") Skeffington. He wrote a book. When Spike was in Dublin during the war, working for the OSS, he looked up Skeffington. Lis says that when she started at Trinity, Skeffington “gave us an introductory lecture. He said everyone loves Ireland because Ireland has never done anything for another country so nobody owes it anything.”
  • Willem van Stockum, brother of Hilda van Stockum (my mother), who married Spike Marlin. He had a love affair with Pic Gwynn, who wanted to marry him but was overruled by her father, Trinity College Provost Edward John Gwynn. https://www.tcd.ie/provost/addresses/2018%20-%202019/2019-02-07-Launch-Gwynn-Family-Papers-%27A-Splendid-Tradition.php. (A father could do that kind of thing then.) Gwynn was doubtless concerned about someone taking his daughter away to Holland or the United States. That was the objection of Marconi's Irish mother to the marriage of Guglielmo Marconi to Inez Milholland (they were engaged for months). In a twist of fate, Willem's uncle Eugen married Inez instead of Marconi (she proposed to Eugen on a boat in 1916; Marconi said that Eugen was better suited to her). Inez said later, "The radio is wonderful but on reflection I wouldn't want to be married to one." Willem never married. He volunteered for air force service when his country was invaded and he trained in Canada. He piloted a bomber during the week of D-Day. A monument has been erected in France, near Laval, to him and his crew.  The story of Pic and Willem is well told in Time Bomber by Robert Wack (2014), for example on pages 27, 84-85. https://www.amazon.com/Time-Bomber-Robert-P-Wack/dp/0984523286

Sunday, October 19, 2014

HvS | In Dublin, 1929-32

Hilda van Stockum as Art Student, 1929-32
The National Gallery of Art in Dublin has been including Hilda van Stockum's two portraits of Evie Hone in their calendars and catalogs. Since they are sticklers for obtaining permissions for every reproduction–doubtless because they expect the same in return–they are in touch with the family regularly.

Their latest question (from Marie) is about HvS's time studying art in Ireland. What information do we have on this period? Are there any relevant letters?

My search is not ended, but HvS's art studies in Amsterdam are much better documented for a simple reason. When Hilda was at the Rijksakademie van Beeldende Kunst (Royal or State Academy for Fine Arts), she lived with her Aunt Hilda de Booy and she sent long letters to her mother in Dublin.

My mother wrote out these letters in a copy book. I transcribed them into electronic form and posted them on the boissevain.us site. These letters, in a family collaboration, were turned by Brigid Marlin over several years into chapters for her Society for the Art of Imagination magazine into a book, the first 12 chapters of which are posted. I will post a corrected version and then the entire book shortly (one of the chapters I posted is out of order). We intend to add art from the period and publish the edited letters as a book through Boissevain Books.

The Irish periods occur before and after her time at art school in Amsterdam. She was at art school in Dublin before, and was a mature artist afterwards. Her second period in Dublin should be especially interesting, because she was mixing in the Trinity College crowd with her brothers, who were both students there. Through her brother Willem she met her husband.

In Holland she was just one of many good art students. In Dublin in the second period she had much more self-confidence and stood out because she had experience from two different centers of art. A book of Irish Artists of the 20th Century is limited to a small number of artists and HvS is one of them - her claim to Irishness being her Irish grandmother (Emily Heloise MacDonnell) and her two periods of residence in Dublin as a young woman and then another three years in Dublin in 1951-54.

Some of the drama of those years was focused on HvS's brother Willem. He was a prize-winning student of Mathematics at Trinity. He won a gold medal that is not awarded in many years. (He sold it in the Depression, to his great distress, to help out his sister. It would be good to know where it is and whether it could be repurchased.) His life has been written about in Time Bomber by Robert Wack, and it goes into considerable factual detail about Willem's love for Pic Gwynn and vice versa.

While they were in Dublin, the van Stockums - Olga, Hilda, Willem and Jan - shared the gardener's cottage at the home of Billy Kirkwood and Harrie Jameson Kirkwood on the Howth peninsula. Brigid reports that the cottage was divided in half and the gardener had one half and the three van Stockums had the other.

Willem, of course, moved out to be in Trinity College Dublin lodgings, where he roomed with Ervin R. (Spike) Marlin. Jan later also went to Trinity. Hilda and Spike got married in 1932 and rented a home somewhere. That is where Orson Welles, who I think was then also a student at Trinity Dublin, arrived for dinner a week before scheduled.

Spike then went ahead to New York City, to look for a job - no easy assignment in the Depression. He did some work on overdue premium collection for Prudential Insurance, I believe, before he took a competitive exam to join FDR's administration. He was one of 300 people selected out of thousands of applicants. He also found a publisher (Harper  Brothers) for HvS's first book, A Day on Skates, which was published with an introduction by her Aunt Edna St. Vincent Millay in 1934, also the year Olga E. Marlin was born.

Sunday, October 30, 2011

QUERY | John Cyril Donnelly

I have received an email from Tim Smyth, who is I researching the life of John Cyril Donnelly (1912-1948). Donnelly was attached to a smart Trinity College, Dublin crowd in the early 1930s.  
This group included
- E. R. ("Spike") Marlin
- Willem van Stockum, brother of Hilda van Stockum who married Spike Marlin
- Owen Sheehy ("Skeff") Skeffington
- Christopher ("Christo") Gore-Grimes
- David Grene, who went to the University of Chicago
- Orson Welles (when he was in Dublin for his play)

All I have been able to find is a link on Ancestry.com with the following information:


John Cyril Donnelly Found 10 Records, 5 Photos and 267,629 Family Trees

Born in Dublin, Ireland on 2 Apr 1912 to John Herbert Donnelly (1876-1956) and Gertrude Mabel Robinson (1885-1982). He passed away on 29 Jun 1948 on Pershing Av, Lima, Peru. 
If you have any information about Mr. Donnelly, please send me an email and I will forward it to Mr. Smyth).
John
John Tepper Marlin